For the past four decades, Richard Foreman has challenged and fascinated audiences with a deeply idiosyncratic aesthetic incorporating traces of vaudeville, Jungian philosophy, slapstick, surrealism and myriad other disparate sources to create what he calls the Ontological-Hysteric theater. His newest “theatrical machine”, called Deep Trance Behavior in Potatoland, is the third in a series of works that heavily emphasize video projection, this time shot on location in Japan. The live performance in Deep Trance has......

THEATER: Breedingground Theater Company continues their three week Spring Fever Festival of work by self-producing artists. (We suggest perusing the full lineup on the company’s website, though we caution that it's quite an eyesore.) Nevertheless, one that happily caught our eye is Chess’d, about a ninja and a man in a white tux playing a game of life-sized chess. The game escalates into a no-holds-barred life-or-death struggle, which reviewer Daniel Kelly declares “hilarious from start......

There's an interesting NY Times New York region op-ed that's supportive of marketing ventures most anywhere, like Geico's unsuccessful George Washington Bridge toll plaza marketing deal. Titled "The Bridge to Prosperity," the op-ed written by Paco Underhill discusses how corporate sponsorships have long existed in philanthropy, such as the Metropolitan Opera selling naming rights to seats, and even civic institutions are working with corporations (think about the city's own Snapple deal) to make more money.......

Things defense attorney Bruce Cutler brought up in his closing argument, in the "Mafia cop" case, per the NY Times, Daily News, and the NY Post (the Times has to most detailed description of Cutler's summation, comparing him to a stream of consciousness "bebopping poet" - of sorts: - The Bridge Over the River Kwai (mind you, the defendents never served in WWII or built bridges, from what Gothamist knows) - Gnome (what he called......