Results tagged “theatre”

For two decades Rose Mary Woods banged away on her typewriter in relative anonymity for her boss Richard M. Nixon, until, in November of 1973, she found herself testifying in federal court about that time she accidentally erased 5 minutes of White House audiotape. Her little oopsy just happened to omit part of a conversation between Nixon and Chief of Staff Bob Haldeman in June 1972, three days after the Watergate burglary.

Elmer Rice's 1923 play The Adding Machine is an expressionist parable about a miserable bean counter named Mr. Zero who, after twenty five years at the same desk, is replaced by the titular technological marvel. For Rice, the roar of the twenties was the sound of capitalism crushing workers' souls; his play would go onto inspire Tennessee Williams and presage Death of a Salesman.

I hate going to Broadway shows: fighting through the mobs in Times Square, being herded into the theater like livestock, cramming into a tiny seat while feedback from hearing aids and hacking coughs reverberate on all sides. Admittedly, I’m a world-class grouch when it comes to these things, so it’s no faint praise that I’d eagerly subject myself to it again for Passing Strange, the multidisciplinary rock musical that just blazed onto Broadway. It’s a phenomenal experience that deserves a run ten times longer than Cats and Phantom combined.

Today marks the third annual Informal Presentation on the Art of Dance, a dance event put on by the Dance Theatre of Harlem and the Dancing Through Barriers Ensemble. The two troupes converge each year in a most unconventional space: The State Supreme Court of Manhattan!

Director, playwright, actor and outcast surrealist Antonin Artaud is perhaps best known for the manifestos set forth in his book Theater and Its Double, which envisioned a new form of radical performance he dubbed “The Theater of Cruelty.” Artaud intended to shock audiences out of complacency by replacing the familiar comforts of naturalistic psycho-drama with a surreal, sensually graphic theatricality, one that traded escapism for confrontation and – Artaud theorized – would rock the bourgeois establishment with “humor as destruction.”

MUSIC: Come enjoy the Whitney after dark tonight as the museum's live showcase series invites Dan Deacon (pictured) to the stage. If you haven't seen Deacon before, get ready for some Casio keyboard electro-rock compositions and an art dance party.

READING: Jeff Garigliano, Condé Nast Portfolio senior-editor turned author, will be reading from his debut novel titled Dogface. The story follows a rebellious 14-year-old boy who, like so many before him, gets sent off to a camp that specializes in "whipping mixed-up teens back into shape".

Moritz Rabinowitz was a Norwegian Jewish tailor who, after emigrating from Poland in 1911 to escape pogroms, rose from near-poverty to operate one of the largest clothing empires in Norway. Settling in the small fishing village of Haugesund, Rabinowitz, the only Jew in town, spent his few off-hours feverishly writing columns that warned against the danger of an increasingly anti-Semitic Germany. His portents were largely dismissed by everyone except the Nazis themselves, who pegged Rabinowitz as “the leader of the Jewish resistance in Norway” when they invaded in 1940. He is believed to have been beaten to death while in a labor camp.

ART: The Bronx Museum of Art is getting on board the First Friday bandwagon. They'll be opening their doors every first Friday of the month for free, and add a little something extra each time. Tonight their theme is “Say it Loud! I’m Black & I’m Proud” in celebration of Black History Month. There will be a tribute to the late James Brown, and a showcase of independent artists paying tribute to black music.

LECTURE SERIES: The Nation forges on with their series of Tuesday evening lectures tonight. Nation columnist and Columbia Law professor Patricia J. Williams will be on hand to discuss her montly "Diary of a Mad Law Professor" column. Expect to examine the law in whole new light.

, hit shelves late last year. The tome delves into the cultural history of music since 1900, and even has Björk touting: "Alex Ross's incredibly nourishing book will rekindle anyone's fire for music." Tonight he'll step away from the printed word and you can catch him chatting with Stephen on The Colbert Report.

MOVIE: Delve into the mind and life of H.L. “Doc” Humes (pictured) in a documentary by his daughter. Titled Doc, the 96-minute film focuses in on the counterculture icon. "In the 1950s and early '60s, Doc co-founded The Paris Review, wrote two acclaimed novels, and was a gregarious fixture of the cultural scene in Paris, London and New York. Doc was a 1950s NYC intellectual, a 60s free speech militant, and a 70s visionary crazy genius. His story is the story of decades of cultural history, a poignant personal long-strange-trip, and a fount of ever-relevant ideas." Tonight Immy Humes (filmmaker) will be at the 8pm screening, and tomorrow night she will be joined by Paul Auster. More info here.

Alfred Hitchcock’s 1935 black and white spy thriller The 39 Steps has been given a vividly colorful stage adaptation by a troupe of four British actors who’ve brought their madcap show to Broadway after an award-winning run on the West End. Adapted from a 1915 novel by John Buchan, the movie concerns the dashing but vague Richard Hannay, who gets ensnared in a deadly game of cat and mouse after shots ring out at a London music hall. In the ensuing stampede, a woman bluntly asks to go home with him and, once there, reveals that she’s a spy trying to stop a plot to smuggle British military secrets out of the country.

THEATER: Wolf Lane Productions presents Victims of the Zeitgeist (The Tragedy of Martin Luther King, Jr.), written & directed by Ellwoodson Williams. The production "offers an exciting and telling insight into just who Martin Luther King, Jr., was as leader and simply as a sensitive and intelligent human being who loved life and who had a sense of humor, a deep understanding of the human condition - its strengths and weaknesses - and a profound belief in justice."

In Samuel Beckett’s 1961 play Happy Days, a decidedly upbeat woman named Winnie spends Act One striving valiantly to make the best of her sticky situation: she’s irrevocably buried up to her waist in a “low mound.” True, Winnie has her reticent companion Willie for company, but she cheerily defies the barren void by holding forth for a seemingly nonexistent gathering of spectators. And Act Two finds Winnie still determined to make a go of it, despite a marked deterioration of her condition: she is now buried up to the neck. 47 years after Beckett finished it, the brutally funny and moving Happy Days is now the hot ticket at the Brooklyn Academy of Music.

THEATER: Under the Radar, arguably New York’s most exciting theater festival, begins today at The Public Theater and a few other odd locations like the Whitehall Ferry terminal. (There are also a few shows at the Classic Theatre of Harlem, P.S. 122 and The Kitchen.) One of the most buzzed about site-specific shows is Etiquette by the London company Rotozaza. It was a surprise hit at last year’s Edinburgh Festival; here the experience takes place at the East Village Ukrainian restaurant Veselka and involves only two actors: you and a friend (or stranger). It’s described as “a private theatrical experience for two people in a public space; the participants take a seat across from each other at a small table (the stage), put on headphones and follow a recorded script, complete with stage directions taking them through a half-hour play, in which they are both performers and audience.” And after the show, you can get pirogies with the cast! – John Del Signore

When Harold Pinter’s masterpiece The Homecoming first premiered on Broadway some four decades ago, the dramatized hostility was met with equal hostility from the bourgeois audience, as witnessed by the playwright himself:

One of the greatest theatrical nights of my life was the opening of The Homecoming in New York. There was the audience. It was 1967. I'm not sure they've changed very much, but it really was your mink coats and suits. Money. And when the lights went up on The Homecoming, they hated it immediately. 'Jesus Christ, what the hell are we looking at here?' I was there, and the hostility towards the play was palpable. You could see it.

Continue reading "Opinionist: The Homecoming"

THEATER: The salty, electric dynamo that is Elaine Stritch shows no sign of waning – about to turn 83-years-young, the show biz legend has kicked off 2008 with a reprise of her Tony-winning cabaret show. Backed by a six-piece band and performed in two acts for a dining audience at the newly restored Café Carlyle, Elaine Stritch at Liberty, co-written with the New Yorker’s John Lahr, is a hilarious, old-fashioned ride through star-studded post-war Broadway, bursting with stories from her roles in such legendary productions as Company, Bus Stop, and Who's Afraid of Virginia Woolf? The Times raves: “Every story in her arsenal of seamlessly stitched personal anecdotes is illustrated with body language that erupts like lightning out of words spoken in the gravelly voice of a tough old dame with a tender heart. Because she has the gift of gab, this loudmouthed life of the party could go on forever.” It’s an expensive night, but worth it. Dining reservations are almost booked through the end of the run on Jan 19th, but they do accept walk-ins for the bar seating. – John Del Signore

READING: Olympia Dukakis, who you know from such films as Moonstruck and Steel Magnolias, will be at Barnes & Noble tonight. She'll be reading from a brand spakin' new edition of Bertolt Brecht’s play Mother Courage and Her Children. She recently put down the Oscar and picked up a pen to write the forward to the antiwar classic.

SKATE: Free skating at Bryant Park just got...more free! Now you can get free rental skates every Wednesday provided you are one of the first 100 people to get over to The Pond Exhibit Area.

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MOVIES: A lavishly restored print of Chilean director Alejandro Jodorowsky’s visionary film The Holy Mountain has been making the rounds this year; it’s back again this weekend at IFC Center for a pair of midnight screenings. First released in 1973, The Holy Mountain has grown into a cult classic for its surreal, psychedelic imagery and a serpentine, metaphysical storyline, which takes as inspiration, among other things, "The Ascent of Mt. Carmel" by St. John of the Cross and the idea of a mountain uniting heaven and earth.

On a recent weekend, we saw Jacques Torres loading boxes of delectable treats from a van into his new store Jacques Torres Chocolate store at 285 Amsterdam Avenue, near 73rd Street, leaving us impressed at his commitment as a small business owner. Today, the chocolatier and the store are mentioned in a NY Times article that examines the emergence of Amsterdam Avenue as an option for retailers, who have traditionally been attracted to Broadway and Columbus Avenues for Upper West Side locations.