With minimal props (a quill pen, a gas mask), rich sound design, and vivid video projection, Michael McQuilken's one man show, A Day in Dig Nation, sets out to be a dystopian exploration of our "media-drenched" post-modern phantasmagoria, as seen through the giant eyes of Rex, an isolated office drone kept complacent by video games and television. Then the apocalypse happens, and Rex survives in a bunker for 26 years until he finally hears a woman's voice calling for survivors over the ham radio. But she sounds kind of demanding, and rather than respond he goes back to working on his robot....

Wow, this show is bizarre. But bizarre in a way that carries on P.S. 122’s scintillating legacy as a downtown refuge for freaky, outré performance art. Musician/performer Neal Medlyn’s latest rock "tragic-comedy," Unpronounceable Symbol, pays musical homage to Prince, with a live band led by Kiki & Herb’s Kenny Mellman, who co-wrote the show and rearranged a bunch of Prince B-sides for the score. Over the years, Medlyn’s developed quite a cult following with his......

When asked why she wants to learn Japanese, a character in Kristen Kosmas’s play Hello Failure replies, “I want to chop away at the wilderness of my mind.” One suspects the playwright's reasons for developing her own distinctive theatrical language are the same; and, fortunately, her unique voice has a similar "clearing" effect on the audience. By the show’s end, you may find yourself walking out with a slightly less restless mind, though you may......

The Under the Radar festival of cutting edge international theater, curated by former P.S. 122 artistic director Mark Russell, continues through next weekend. Here’s a brief rundown of three shows seen so far. Between the Devil and the Deep Blue Sea: British theater company 1927 has staged a spellbinding blend of silent film-era aesthetics and macabre storytelling in this American premiere. Accompanied by a haunting live piano score, two pale women (pictured above) escort......

The city is showing the door to a daycare facility that has called P.S. 122 its home for 26 years. The Children's Liberation Daycare Center (CLDC), which serves 88 kids between the ages of 2 and 6, is going to court later this month to object to its ejection from the building, with no plan for the daycare center's return. The CLDC shares P.S. 122 with three arts organizations and it's the city's Dept. of......